Like I said before, "The Magnificent Seven" is a terrific western. In addition to the actors mentioned before, other up and coming cast members include Charles Bronson, James Coburn, and Robert Vaughn. Plenty of good parts to be had in this movie, and plenty of good scenes. While it is hard to pick just one, I love the opening of the film with Yul Brenner and Steve McQueen meeting and driving a hearse to the cemetery. Also love Eli Wallach as the lead bandit, and how he just can't comprehend Yul Brenner and company defending the villagers, right up to the end. It completely mystifies him. Also, my wife loves to compare Wallach's bandit character in this movie to that of his character in "The Good, The Bad, and The Ugly.
Films Worth Viewing
- Thread starter zymurg
- Start date
Like I said before, "The Magnificent Seven" is a terrific western. In addition to the actors mentioned before, other up and coming cast members include Charles Bronson, James Coburn, and Robert Vaughn. Plenty of good parts to be had in this movie, and plenty of good scenes. While it is hard to pick just one, I love the opening of the film with Yul Brenner and Steve McQueen meeting and driving a hearse to the cemetery. Also love Eli Wallach as the lead bandit, and how he just can't comprehend Yul Brenner and company defending the villagers, right up to the end. It completely mystifies him. Also, my wife loves to compare Wallach's bandit character in this movie to that of his character in "The Good, The Bad, and The Ugly.
Judgement at Nuremberg-Stanley Kramer-1961
This is a film which is remarkably prescient, but still is terrific entertainment. It focuses on a lesser known post WWII Nuremberg Trial; this one is for Nazi jurists. The film is loosely based on an actual trial of 20 jurists. The central issue is the level of responsibility of the jurists for the deaths and imprisonments that were the results of a system of justice in which they willingly participated. This film marked the first time that films of the Nazi concentration camps were seen by a wide audience.
The acting is great; Maximillian Schell won the academy award as best actor. You might find his performance as the lead defense counsel a bit over the top. Burt Lancaster is memorable as Ernst Janning , the Nazi minister of justice. Spenser Tracey plays the chief judge, Richard Widmark plays the chief prosecutor. Montgomery Clift and Judy Garland play survivors. Marlene Dietrich plays the widow of a German general.
The Tribunal hands out stiff sentences. Since the trial is occurring with the Cold War beginning to become a major factor, the allied governments are eager for German support. The Berlin Blockade begins during the trial.
The decisions were not popular, by the time of the film's debut, all of those convicted in the lesser trials had been freed. When the film premiered in Germany in 1961, the audience was not responsive.
In the climactic scene in the film, Janning asks to meet with the chief judge after the verdict has been announced. Lancaster asks Tracey for understanding. He didn't understand how evil the system would become. Tracey responds that the first time he knowingly convicted an innocent man and sentenced him to death, the system was totally destroyed. The question of whether or not to try and ameliorate the system from the inside still is important.
The film was based on a Playhouse 90 TV drama. The screenwriter, Abbie Man, was responsible for getting the film made. He won an academy award for his screen play. Some 20 years later :"Judgement at Nuremberg" made a successful debut on Broadway.
The film is available to stream. It is available on DVD.
This is a film which is remarkably prescient, but still is terrific entertainment. It focuses on a lesser known post WWII Nuremberg Trial; this one is for Nazi jurists. The film is loosely based on an actual trial of 20 jurists. The central issue is the level of responsibility of the jurists for the deaths and imprisonments that were the results of a system of justice in which they willingly participated. This film marked the first time that films of the Nazi concentration camps were seen by a wide audience.
The acting is great; Maximillian Schell won the academy award as best actor. You might find his performance as the lead defense counsel a bit over the top. Burt Lancaster is memorable as Ernst Janning , the Nazi minister of justice. Spenser Tracey plays the chief judge, Richard Widmark plays the chief prosecutor. Montgomery Clift and Judy Garland play survivors. Marlene Dietrich plays the widow of a German general.
The Tribunal hands out stiff sentences. Since the trial is occurring with the Cold War beginning to become a major factor, the allied governments are eager for German support. The Berlin Blockade begins during the trial.
The decisions were not popular, by the time of the film's debut, all of those convicted in the lesser trials had been freed. When the film premiered in Germany in 1961, the audience was not responsive.
In the climactic scene in the film, Janning asks to meet with the chief judge after the verdict has been announced. Lancaster asks Tracey for understanding. He didn't understand how evil the system would become. Tracey responds that the first time he knowingly convicted an innocent man and sentenced him to death, the system was totally destroyed. The question of whether or not to try and ameliorate the system from the inside still is important.
The film was based on a Playhouse 90 TV drama. The screenwriter, Abbie Man, was responsible for getting the film made. He won an academy award for his screen play. Some 20 years later :"Judgement at Nuremberg" made a successful debut on Broadway.
The film is available to stream. It is available on DVD.
Waquoit
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I look back at that scene as a metaphor for UConn's brush with P5 football. Just when we showed we could compete with them, we get a pump in the spokes. As the chumps that did it ride away laughing.
The other part of Breaking Away that stuck with me was Daniel Stern's character saying how his father loves when he fails "so he can be supportive." Then at the end he said he was going to take the college test "because my father has a birthday coming up."
The Ox-Bow Incident-William Wellman-1943
This short (75 minute) film is extremely well made and deals with an important problem. The film is based on the debut novel by Walter Van Tillburg Clark. In 1885 a small Nevada town is rocked by the rumor that a local rancher has been murdered by rustlers. The sheriff is out of town ,so the posse formed is only semi legal.
The posse finds 3 men with the rancher's cattle. This confirms their guilt. When a vote is taken, only seven vote to investigate further. The "rustlers"in both the book and the filrm duly hanged. The 3 rustlers are played by Dana Andrews, Anthony Quinn, and John Ford"s older brother. The chief protagonist is played by Henry Fonda.
The sheriff arrives, the rancher was shot but lives; the real rustlers are captured, but the hangings are history.
The sheriff vows the law will deal harshly with the lynch mob, but both the book and the film leave this as an unanswered question.
The film is available on DVD and streaming. I suggest that if you plan to buy the DVD, you opt for one of the several collections which feature this film. I have the Henry Ford Collection on Fox. This 10 film collection includes "Drums Along the Mohawk." "The Grapes of Wrath," "My Darling Clementine," and "The Longest Day."
This short (75 minute) film is extremely well made and deals with an important problem. The film is based on the debut novel by Walter Van Tillburg Clark. In 1885 a small Nevada town is rocked by the rumor that a local rancher has been murdered by rustlers. The sheriff is out of town ,so the posse formed is only semi legal.
The posse finds 3 men with the rancher's cattle. This confirms their guilt. When a vote is taken, only seven vote to investigate further. The "rustlers"in both the book and the filrm duly hanged. The 3 rustlers are played by Dana Andrews, Anthony Quinn, and John Ford"s older brother. The chief protagonist is played by Henry Fonda.
The sheriff arrives, the rancher was shot but lives; the real rustlers are captured, but the hangings are history.
The sheriff vows the law will deal harshly with the lynch mob, but both the book and the film leave this as an unanswered question.
The film is available on DVD and streaming. I suggest that if you plan to buy the DVD, you opt for one of the several collections which feature this film. I have the Henry Ford Collection on Fox. This 10 film collection includes "Drums Along the Mohawk." "The Grapes of Wrath," "My Darling Clementine," and "The Longest Day."
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12 Angry Men-Sidney Lumet-1957
This is one of my all time favorites. It was filmed on location at 60 Center Street an actual courthouse. Almost the entire film takes place in the jury room It was based on a Studio One TV production. It as director Lumet's first feature film. The actors don't have names; they are known by their jury numbers. The cast is drawn from
NY theatre actors. Even Fonda, as juror 8, came through the NYC theatre scene.
The case is a murder trial of a 17 year old Hispanic for killing his father with s switchblade. In the initial jury vote the jury votes 11-1 for conviction. The rest of the film follows the road to an eventual verdict of not guilty.
Lumet does a masterful job of raising the tension level through filming techniques which give the film a feeling of claustrophobia.
This is acted wonderfully; a great film made on a small budget. Though observers opine that it was largely ignored by the public, despite critical aclaim. It returned a 10 fold boxoffice on the initial cost. It has been re-made in many countries and languages, satirized on numerous tv comedies, this is an iconic. Check out IMDb
for goofs; I didn't notice them. This is a tribute to how engrossing it is.
My highest recommendation.
This is one of my all time favorites. It was filmed on location at 60 Center Street an actual courthouse. Almost the entire film takes place in the jury room It was based on a Studio One TV production. It as director Lumet's first feature film. The actors don't have names; they are known by their jury numbers. The cast is drawn from
NY theatre actors. Even Fonda, as juror 8, came through the NYC theatre scene.
The case is a murder trial of a 17 year old Hispanic for killing his father with s switchblade. In the initial jury vote the jury votes 11-1 for conviction. The rest of the film follows the road to an eventual verdict of not guilty.
Lumet does a masterful job of raising the tension level through filming techniques which give the film a feeling of claustrophobia.
This is acted wonderfully; a great film made on a small budget. Though observers opine that it was largely ignored by the public, despite critical aclaim. It returned a 10 fold boxoffice on the initial cost. It has been re-made in many countries and languages, satirized on numerous tv comedies, this is an iconic. Check out IMDb
for goofs; I didn't notice them. This is a tribute to how engrossing it is.
My highest recommendation.
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The Bride of Frankenstein-James Whale-1935
This is the top vintage horror film in the minds of most critics. As a horror figure I prefer Dracula; the character has provided much more in the monster lexicon. We have individually and collective understanding of the rules of vampires. There has been little or no development in monster studies. When
Mel Brooks made "Young Frankenstein" using the lab props from the original "Frankenstein" it was more than an homage to the original; it was a literal re-creation. Whale showed more originality in "Bride". Whale avoided making a sequel, and he only made it because he was given total control. The monster speaks, there is an intro featuring the two Shelly's, a second scientist (even more outre than Baron Frankenstein) comes with miniature humans in bottles, the named character appears only briefly, and the monster destroys himself and his bride. Whale really didn't want to make a third entry in the franchise.
What makes this memorable is perhaps best illustrated with the long scene between the blind hermit and the monster. The monster learns to speak, finds a friend, hears music, and smokes a cigar. Karloff's desire for friendship leads him back to the castle. He finds Pretorius and the construction of the bride is begun.
The acting is excellent, the photography inspired, and there in an excellent score. Suspend disbelief and enjoy this classic.
This is the top vintage horror film in the minds of most critics. As a horror figure I prefer Dracula; the character has provided much more in the monster lexicon. We have individually and collective understanding of the rules of vampires. There has been little or no development in monster studies. When
Mel Brooks made "Young Frankenstein" using the lab props from the original "Frankenstein" it was more than an homage to the original; it was a literal re-creation. Whale showed more originality in "Bride". Whale avoided making a sequel, and he only made it because he was given total control. The monster speaks, there is an intro featuring the two Shelly's, a second scientist (even more outre than Baron Frankenstein) comes with miniature humans in bottles, the named character appears only briefly, and the monster destroys himself and his bride. Whale really didn't want to make a third entry in the franchise.
What makes this memorable is perhaps best illustrated with the long scene between the blind hermit and the monster. The monster learns to speak, finds a friend, hears music, and smokes a cigar. Karloff's desire for friendship leads him back to the castle. He finds Pretorius and the construction of the bride is begun.
The acting is excellent, the photography inspired, and there in an excellent score. Suspend disbelief and enjoy this classic.
I just love "Bride of Frankenstein", it's a marvelous old horror classic. Director James Whale is at the top of his impish horror game, and he did a few other old horror classics as well with the previously mentioned "Frankenstein', as well as "The Invisible Man" and "The Old Dark House". Always a pleasure to watch Karloff do his thing. And of course, Colin Clive gets to shout "It's Alive!" again. But to me, what really makes "Bride of Frankenstein" go is the addition of the off the wall Ernest Thesiger as Doctor Pretorius, the guy is a real hoot. In addition to Pretorius and his miniature humans, I just love the encounter of the monster and Pretorius in the underground crypt. Thesiger is also worth watching in "The Old Dark House" as well.
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Carrie-Brian dePalma-1976
This is Stephen King's first published novel for which he received a $2500 advance. It is hard to believe when
you look back at his success since then. If you read the IMDb material, it seems as if every young actress in Hollywood tried out for the Carrie White part. DePalma was an inspired choice to direct the film. You all know
the story; the bullied daughter of a religious zealot has supernatural powers. She uses her powers in a spectacular way at the prom after she is bathed in pig's blood.
I thought the weakest part of the film was the opening scene in girls' locker room. De Palma does an excellent job developing characters. It is hard not to have sympathy for the Carrie character; since public awareness of bullying has grown enormously, it is even more relevant today. This is part of the reason that this film is still enjoyable today.
One further note in the first climactic scene; Carrie and her date Tommy are on a turntable rotating one way while the camera above them rotated in the opposite direction. This allowed amazing coverage of the pig blood shower. Carrie covered in blood is unforgettable. The next two climaxes are also memorable, cudos to DePalma. If you haven't seen this film recently; you should enjoy it again.
This is Stephen King's first published novel for which he received a $2500 advance. It is hard to believe when
you look back at his success since then. If you read the IMDb material, it seems as if every young actress in Hollywood tried out for the Carrie White part. DePalma was an inspired choice to direct the film. You all know
the story; the bullied daughter of a religious zealot has supernatural powers. She uses her powers in a spectacular way at the prom after she is bathed in pig's blood.
I thought the weakest part of the film was the opening scene in girls' locker room. De Palma does an excellent job developing characters. It is hard not to have sympathy for the Carrie character; since public awareness of bullying has grown enormously, it is even more relevant today. This is part of the reason that this film is still enjoyable today.
One further note in the first climactic scene; Carrie and her date Tommy are on a turntable rotating one way while the camera above them rotated in the opposite direction. This allowed amazing coverage of the pig blood shower. Carrie covered in blood is unforgettable. The next two climaxes are also memorable, cudos to DePalma. If you haven't seen this film recently; you should enjoy it again.
Exorcist-William Friedkin-1973
This film was very successful; it remains the 1st or 2nd highest grossing horror films of all time. The film opens in Northern Iraq at an site of an ancient town. Among the items discovered was an image of a demon. Max von Sydow plays the priest/archeologist who makes this discovery. This sends him on a journey to another site where he views a full scale statue of the demon.
The scene shifts quickly to Georgetown where a film is being made on the college campus. Ellen Burstyn is the
star of the movie. She has rented a house while she is shooting the movie. She shares the house with her 12
year old daughter. The movie unfolds around a strange illness of Reagan, Linda Blair. Her behavior becomes increasingly erratic; her mother does all the correct things, doctor visits, tests, interviews with psychiatrists; nothing works. A final suggestion of an exorcist occurs simultaneously with a mysterious death and a church being vandalized.
the stage is set for the entrance of two final key characters. A priest/psychiatrist (Jason Miller) and a police Lieutenant (Lee J. Cobb) become involved with the case. Damien (the priest) talks to Regan and tries to determine if her symptoms meet the church's standards for an exorcism. Max von Sydow is brought back
to to be the chief exorcist.
This is the basic plot line, where the movie derives its power is from the acting, camera work, special effects,
and most importantly the work of Friedkin. He did virtually everything including choosing the music. I watched
the director's cut which adds 10+ minutes. This is another film which has aged very well. Despite the premise,
none of the basic characters is anything other than believable. Linda Blair was sentenced to a career off horror
films; there was an actual serial killer in the movie; the followups were less than mediocre, but none of this can
dim the luster of this classic.
This film was very successful; it remains the 1st or 2nd highest grossing horror films of all time. The film opens in Northern Iraq at an site of an ancient town. Among the items discovered was an image of a demon. Max von Sydow plays the priest/archeologist who makes this discovery. This sends him on a journey to another site where he views a full scale statue of the demon.
The scene shifts quickly to Georgetown where a film is being made on the college campus. Ellen Burstyn is the
star of the movie. She has rented a house while she is shooting the movie. She shares the house with her 12
year old daughter. The movie unfolds around a strange illness of Reagan, Linda Blair. Her behavior becomes increasingly erratic; her mother does all the correct things, doctor visits, tests, interviews with psychiatrists; nothing works. A final suggestion of an exorcist occurs simultaneously with a mysterious death and a church being vandalized.
the stage is set for the entrance of two final key characters. A priest/psychiatrist (Jason Miller) and a police Lieutenant (Lee J. Cobb) become involved with the case. Damien (the priest) talks to Regan and tries to determine if her symptoms meet the church's standards for an exorcism. Max von Sydow is brought back
to to be the chief exorcist.
This is the basic plot line, where the movie derives its power is from the acting, camera work, special effects,
and most importantly the work of Friedkin. He did virtually everything including choosing the music. I watched
the director's cut which adds 10+ minutes. This is another film which has aged very well. Despite the premise,
none of the basic characters is anything other than believable. Linda Blair was sentenced to a career off horror
films; there was an actual serial killer in the movie; the followups were less than mediocre, but none of this can
dim the luster of this classic.
Next up: "Night of the Hunter," "Double Indemnity," and "Laura."
Night of the Hunter-Charles Laughton-1955
This is the only film Laughton ever directed. A man robs a bank, killing two in the process. He rushes back to his home intent on hiding the money, almost $10,000. His cellmate is Harry Powell (Robert Mitchum), an itinerant preacher and serial killer. He tries and fails to get his cellmate to tell him where he hid the money.
Powell is in prison for car theft; he only gets 30 days. I know, I know, that's really not credible.
The film starts with two passages: the first shows Rachael Cooper, silent star Lillian Gish, giving Biblical instructions to a group of children she fosters. The second shows Powell riding in a car discussing His mission with God. He reveals that he has murdered 12 widows for their money. Shortly after we find out that he has
love on the fingers of one hand and hate on the other.
Powell woos the widow Harper and marries her then murders her which his pattern. The children escape by locking him in the cellar and taking their father's skiff down river. The balance of the film is taken up with Powell's search for the children.
Along the river bank we see various animals starting with a frog. The script is by the famous photojournalist, James Agee. Mitchum's performance is chilling; there is no question he represents Hate. Gish represents Love
in this struggle Love wins.
There is surprising tension in this film. The characters are believable, even Powell. This is one of the greatest of all film noirs. This film has at least 15 unforgettable images, and it makes excellent use of hymns. It's available through Amazon. It is unrated, but it is probably not suited for young children.
Night of the Hunter-Charles Laughton-1955
This is the only film Laughton ever directed. A man robs a bank, killing two in the process. He rushes back to his home intent on hiding the money, almost $10,000. His cellmate is Harry Powell (Robert Mitchum), an itinerant preacher and serial killer. He tries and fails to get his cellmate to tell him where he hid the money.
Powell is in prison for car theft; he only gets 30 days. I know, I know, that's really not credible.
The film starts with two passages: the first shows Rachael Cooper, silent star Lillian Gish, giving Biblical instructions to a group of children she fosters. The second shows Powell riding in a car discussing His mission with God. He reveals that he has murdered 12 widows for their money. Shortly after we find out that he has
love on the fingers of one hand and hate on the other.
Powell woos the widow Harper and marries her then murders her which his pattern. The children escape by locking him in the cellar and taking their father's skiff down river. The balance of the film is taken up with Powell's search for the children.
Along the river bank we see various animals starting with a frog. The script is by the famous photojournalist, James Agee. Mitchum's performance is chilling; there is no question he represents Hate. Gish represents Love
in this struggle Love wins.
There is surprising tension in this film. The characters are believable, even Powell. This is one of the greatest of all film noirs. This film has at least 15 unforgettable images, and it makes excellent use of hymns. It's available through Amazon. It is unrated, but it is probably not suited for young children.
I saw Night of the Hunter for the first time a couple of years ago. A knockout of a movie, with so many great images that remind me of both of the images that show up in John Ford movies, and German silent film Expressionism. No question that Charles Laughton delivered the goods with this one. Terrific performances by both Robert Mitchum and Lillian Gish. This one is an absolute must see.
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Double Indemnity-Billy Wilder-1944
Billy Wilder is nearly forgotten by the general public. His list of significant films is startling: "Lost Weekend," "Stalag 17," "The Apartment," and "Some Like It Hot." That's only the first act. This film for Paramount was
a struggle to make. It was tough to cast; it was problematic with the censor's office; there were problems with wartime austerity; then the relationship between Raymond Chandler and Wilder was terrible.
Barbara Stanwyck is probably the most versatile actress of her era. Fred McMurray made his bones in light comedy roles. Edward G. Robinson played gangsters, but always with a flair. Raymond Chandler delivered
the ironic, witty, fast paced dialogue. Wilder found out that the novel's dialogue didn't make when spoken aloud. The film has a great opening Neff (McMurray) comes into a building in the middle of the night. It holds the offices of his insurance company. He is badly wounded, but tells thecoe story into a dictaphone.
The plot can be a little convoluted, but basically McMurray and Stanwyck come up with a plot to insure her husband, and then kill in a way it looks accidental. Robinson is the claims investigator. He has a little inner man who tells him when a claim is false. What's in between is the magic, the German Expressionist camera
work, the dialogue, the intricate plotting, and always the acting of the three principals. It received 7 nominations, but won not a one.
Film Noir is an American cinema development. Many historians have it begining with the "Maltese Falcon."
The protagonist generally becomes involved in some illegal acts, generally without thinking it through. Go
back to the start of the film, Neff remarks that he did it for for money and a woman and he got neither.
Billy Wilder is nearly forgotten by the general public. His list of significant films is startling: "Lost Weekend," "Stalag 17," "The Apartment," and "Some Like It Hot." That's only the first act. This film for Paramount was
a struggle to make. It was tough to cast; it was problematic with the censor's office; there were problems with wartime austerity; then the relationship between Raymond Chandler and Wilder was terrible.
Barbara Stanwyck is probably the most versatile actress of her era. Fred McMurray made his bones in light comedy roles. Edward G. Robinson played gangsters, but always with a flair. Raymond Chandler delivered
the ironic, witty, fast paced dialogue. Wilder found out that the novel's dialogue didn't make when spoken aloud. The film has a great opening Neff (McMurray) comes into a building in the middle of the night. It holds the offices of his insurance company. He is badly wounded, but tells thecoe story into a dictaphone.
The plot can be a little convoluted, but basically McMurray and Stanwyck come up with a plot to insure her husband, and then kill in a way it looks accidental. Robinson is the claims investigator. He has a little inner man who tells him when a claim is false. What's in between is the magic, the German Expressionist camera
work, the dialogue, the intricate plotting, and always the acting of the three principals. It received 7 nominations, but won not a one.
Film Noir is an American cinema development. Many historians have it begining with the "Maltese Falcon."
The protagonist generally becomes involved in some illegal acts, generally without thinking it through. Go
back to the start of the film, Neff remarks that he did it for for money and a woman and he got neither.
I mentioned this in another thread, but if I had to pick a movie that absolutely defines Film Noir for me, I would choose Double Indemnity. Another terrific film. There are a number of great Billy Wilder films that my wife and I will watch whenever they show up on television, and this one (along with Sunset Boulevard) lead the pack. My wife loves Edward G. Robinson, often mentioning that it is rare that anyone could make an insurance investigator be so interesting. As for Barbara Stanwyck, if I had to choose a favorite actress, she would be right by the top.
storrsroars
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I'm glad you did "Double Indemnity". IIRC, when you first gave out the list of what you were going to review, you typed "Double Jeopardy", to which I immediately thought, "Which thing is not like the others?"
Great film and McMurray was an inspired casting choice. And its most-noted progeny, "Body Heat" wasn't too bad either.
"Laura"-Otto Preminger-1944
This is an unusual film; is it really Film Noir? Waldo Lydecker is one of the most unusual movie characters ever.
"I'm not kind; I'm vicious; it's the secret of my charm" is only one of his bon mots. The setting among the rich and snobbish is unusual for Noir. Again with a wartime film some obstacles occurred, however, these were matters of taste and power plays. Preminger seized control of the movie. He made the decision to cut a sequence where Laura is polished to fit in with the upper crust because of wartime privations. More importantly he decided to hire Clifton Webb for the Lydecker role.
This film has an excellent cast : Dana Andrews, Gene Tierney, Vincent Price and Clifton Webb. All the leading characters have quick cynical lines. The plot is complicated; Laura is murdered. The case is re-assigned to Lt.
McPherson. Waldo Lydecker accompanies McPherson visiting potential suspects. McPherson develops a strange relationship with the deceased. Suddenly, Laura walks into her apartment very much alive. The identification of the real victim is done quickly. The solution of the murder takes a little longer.
This film is clever and delightful; critics seem to me to be overly concerned with the psycho-sexual aspects of the film. Yarders, this is quality entertainment. Don't over analyze and miss the fun.
I haven't decided on my next trio.
This is an unusual film; is it really Film Noir? Waldo Lydecker is one of the most unusual movie characters ever.
"I'm not kind; I'm vicious; it's the secret of my charm" is only one of his bon mots. The setting among the rich and snobbish is unusual for Noir. Again with a wartime film some obstacles occurred, however, these were matters of taste and power plays. Preminger seized control of the movie. He made the decision to cut a sequence where Laura is polished to fit in with the upper crust because of wartime privations. More importantly he decided to hire Clifton Webb for the Lydecker role.
This film has an excellent cast : Dana Andrews, Gene Tierney, Vincent Price and Clifton Webb. All the leading characters have quick cynical lines. The plot is complicated; Laura is murdered. The case is re-assigned to Lt.
McPherson. Waldo Lydecker accompanies McPherson visiting potential suspects. McPherson develops a strange relationship with the deceased. Suddenly, Laura walks into her apartment very much alive. The identification of the real victim is done quickly. The solution of the murder takes a little longer.
This film is clever and delightful; critics seem to me to be overly concerned with the psycho-sexual aspects of the film. Yarders, this is quality entertainment. Don't over analyze and miss the fun.
I haven't decided on my next trio.
Fishy
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Magnificent Seven is in rotation on one of the pay cable channels....it's one of those old movies that I cannot surf past. If it's on, I watch it.
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"Once Upon a Time in the West" -Sergio Leone-1969
Leone's trilogy with Clint Eastwood made so much money that United Artists were willing to do a Leone film in America, but they wanted to dictate casting. Leone took Paramount on a similar offer. His goal was to make "Once Upon a Time in America." Paramount cut the film drastically for US release. The film barely recouped costs in the US run. It was a big success in Europe; there is a famous story of the film running for two or perhaps four years in a movie theatre in Paris.
The film was shot in about 20 different locations including Monument Valley, a favorite John Ford location. The film makes numerous references to classic westerns. Ennio Morricone wrote another classic score; this time he used ambient natural sounds particularly the creaking windmill in the long opening sequence.
The plot deals with the railroad's conquest of the West. A Farmer/rancher travels to New Orleans where he meets and marries a prostitute. The family she is coming to be a part of is murdered. There are shot and killed by Frank and his gang. Frank is the railroad's problem solver, played by Henry Fonda cast against type as a ruthless killer for hire.
Since the railroad needs the water at Sweetwater, the surrounding land has great value. It will be a station and beget a town. Frank leaves evidence that the massacre was committed by another gang leader, Cheyenne played by Jason Robards. The third gunfighter, Harmonica, Charles Bronson, killed 3 of Frank's men in the opening sequence. Harmonica helps the widow, Claudia Cardinale because he has a reckoning with Frank.
Leone uses spare dialogue, music, and intermittent close-ups to raise the tension. The slow pace is not what we are accustomed to, but it really works. Leone in interviews about this film stressed death, not only the 29 who die in the film, but the death of the old violent West. Harmonica is the only gunfighter to survive, and he leaves. Progress represented by the railroad is not going to be pleasant, but it is unstoppable.
The passage of years has if anything raised the profile of and respect for this film. This is readily available to stream via Amazon; DVD's are easy to find, and libraries are likely to have it.
Leone's trilogy with Clint Eastwood made so much money that United Artists were willing to do a Leone film in America, but they wanted to dictate casting. Leone took Paramount on a similar offer. His goal was to make "Once Upon a Time in America." Paramount cut the film drastically for US release. The film barely recouped costs in the US run. It was a big success in Europe; there is a famous story of the film running for two or perhaps four years in a movie theatre in Paris.
The film was shot in about 20 different locations including Monument Valley, a favorite John Ford location. The film makes numerous references to classic westerns. Ennio Morricone wrote another classic score; this time he used ambient natural sounds particularly the creaking windmill in the long opening sequence.
The plot deals with the railroad's conquest of the West. A Farmer/rancher travels to New Orleans where he meets and marries a prostitute. The family she is coming to be a part of is murdered. There are shot and killed by Frank and his gang. Frank is the railroad's problem solver, played by Henry Fonda cast against type as a ruthless killer for hire.
Since the railroad needs the water at Sweetwater, the surrounding land has great value. It will be a station and beget a town. Frank leaves evidence that the massacre was committed by another gang leader, Cheyenne played by Jason Robards. The third gunfighter, Harmonica, Charles Bronson, killed 3 of Frank's men in the opening sequence. Harmonica helps the widow, Claudia Cardinale because he has a reckoning with Frank.
Leone uses spare dialogue, music, and intermittent close-ups to raise the tension. The slow pace is not what we are accustomed to, but it really works. Leone in interviews about this film stressed death, not only the 29 who die in the film, but the death of the old violent West. Harmonica is the only gunfighter to survive, and he leaves. Progress represented by the railroad is not going to be pleasant, but it is unstoppable.
The passage of years has if anything raised the profile of and respect for this film. This is readily available to stream via Amazon; DVD's are easy to find, and libraries are likely to have it.
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It’s coming, I swear!
Waquoit
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I was watching the documentary series The Story of Film (Hulu) years ago, during Episode 7 (47:15) the narrator starts discussing Sergio Leone. They show examples of his innovative visual style, the way he used time and other nuggets that I would not have noticed on my own. Most of it comes from Once Upon a Time in the West. I had never seen it, but before the segment was over I had added it to the top of my DVD Queue. The scene where we go from the office to the seeing the town for the first time is just great.
storrsroars
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It does rank as a "must-see", but over repeated viewings, I don't totally "love" it. The harmonica thing just doesn't play well with me. I also think that unlike other Leone westerns, you need to suspend belief quite a bit more in this one. But Fonda was menacing for being cast out of character and I loved Robards' performance. He should've done more oaters.
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Explain your reasoning on Pompey firing the shot. I don't it, but try to convince me.
"The Searchers"- John Ford-1956
This film is generally considered Ford's best Western and probably Wayne's greatest performance The film was shot in Monument Valley. Ford recruited some of the famous Ford Stock Company including Harry Carey Jr. and Ward Bond for the picture. The cinematographer , Winton C. Hoch fills the screen with shots of majesty and beauty.
Wayne plays Ethan Edwards, a former Confederate cavalryman who never surrendered. Three years after the war's end he returns home actually to his brother's farm. His brother has two daughters, a wife, and an almost adopted son, Martin Pawley (Jeffrey Hunter). Martin is one eighth American Indian. In addition to his other problems, hints of crime are frequently offered, Ethan Edwards hates Indians.
This becomes quickly relevant when a Texas Ranger captain/preacher, Ward Bond, arrives with information that a local farm has been raided and the cattle driven off. Ethan refuses to take an oath, he has never given up on
his oath to the Confederacy, but he accompanies the posse to track the Comanches. It becomes apparent that the posse has been drawn away so the war party can double back to the farms.
The posse splits up, and Ethan discovers his brother and sister-in-law murdered in the burnt out cabin. This begins a six year hunt for the girls. One is brutally killed early, the younger daughter, Debbie appears to be still alive. Martin joins Ethan in tracking the girls. As the years pass Martin becomes convinced that Ethan will kill
Debbie because she will have become Indian. When Ethan finally secures Debbie, she and the film audience are convinced that Ethan means to murder her.
Ethan Edwards is a total obsessive character; he doesn't change despite sparing Debbie. He knows he can't stay among his friends and family. The film ends with him standing in the doorway; the immense vista of
Monument behind him. He can no more live among normal people than could Harmonica.
I have mixed feelings about the Ethan Edwards character, uncomfortable with his racism, but respecting his
focus and relentless sense of purpose. I am sure that this was what Ford intended; Wayne lived this character according to Harry Carey Jr, flawed but unforgettable.
This film is generally considered Ford's best Western and probably Wayne's greatest performance The film was shot in Monument Valley. Ford recruited some of the famous Ford Stock Company including Harry Carey Jr. and Ward Bond for the picture. The cinematographer , Winton C. Hoch fills the screen with shots of majesty and beauty.
Wayne plays Ethan Edwards, a former Confederate cavalryman who never surrendered. Three years after the war's end he returns home actually to his brother's farm. His brother has two daughters, a wife, and an almost adopted son, Martin Pawley (Jeffrey Hunter). Martin is one eighth American Indian. In addition to his other problems, hints of crime are frequently offered, Ethan Edwards hates Indians.
This becomes quickly relevant when a Texas Ranger captain/preacher, Ward Bond, arrives with information that a local farm has been raided and the cattle driven off. Ethan refuses to take an oath, he has never given up on
his oath to the Confederacy, but he accompanies the posse to track the Comanches. It becomes apparent that the posse has been drawn away so the war party can double back to the farms.
The posse splits up, and Ethan discovers his brother and sister-in-law murdered in the burnt out cabin. This begins a six year hunt for the girls. One is brutally killed early, the younger daughter, Debbie appears to be still alive. Martin joins Ethan in tracking the girls. As the years pass Martin becomes convinced that Ethan will kill
Debbie because she will have become Indian. When Ethan finally secures Debbie, she and the film audience are convinced that Ethan means to murder her.
Ethan Edwards is a total obsessive character; he doesn't change despite sparing Debbie. He knows he can't stay among his friends and family. The film ends with him standing in the doorway; the immense vista of
Monument behind him. He can no more live among normal people than could Harmonica.
I have mixed feelings about the Ethan Edwards character, uncomfortable with his racism, but respecting his
focus and relentless sense of purpose. I am sure that this was what Ford intended; Wayne lived this character according to Harry Carey Jr, flawed but unforgettable.
8893
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He was the third witness but the only one whose story we never hear. Stoddard thinks he shot him; Doniphon says he shot him. Wouldn’t you want to hear Pompey’s version as the only other witness? Even in Doniphon’s version, Pompey has the gun and he throws it to Doniphon. Seems unlikely they could have pulled that off without Valance taking note.
Looking up the film just now, I see that Ford reportedly resented the studio forcing Wayne on him for the role of Doniphon and he retaliated by taunting Wayne and treating him like crap throughout the filming. There is also a story that the only time Ford treated Stewart poorly was when Stewart commented that Pompey’s costume was “a bit Uncle Remussy” to him, whereupon Ford reportedly upbraided Stewart in front of the cast for being racist.
I’ve really only imagined the Pompey version previously; but now that I’ve read that, I would love to see an alternate take exploring this possibility.
Of the John Ford westerns I've seen, The Searchers and Stagecoach are the two right at the top of the list, and can take their place as two of the best movie westerns ever made. Great movies indeed. And some other Ford westerns such as the Cavalry Trilogy (Fort Apache, She Wore a Yellow Ribbon, and Rio Grande), Wagon Master, and the soon to be reviewed Liberty Valance aren't exactly chopped liver. They are darned good as well, just not quite on the level of the two at the top of the heap.
This may well be John Wayne's best performance. One role that rivals it Is in the Howard Hawks western Red River, the movie that convinced Ford that Wayne could really act.
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In your theory, there is lots of rifle throwing that goes unnoticed by James Stewart as well. After the shot gets fired, the rifle gets tossed back to Pompey.
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No question. And that makes even less sense to me now that you mention it. Pompey’s only role is as a remote holster?
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