- Joined
- Aug 26, 2011
- Messages
- 33,609
- Reaction Score
- 96,962
1st season took some time but was excellent by season's end. 2nd season starting off strong - dark series but really good!
Yep, I'm a fan as well. They've done an excellent job this year of working in more frequent DK s e x scenes. I think a little too fragmented this season as over-correction for the cheesy end to main plot in first season, but the acting is good and you gotta tune in at least once to marvel at James Gumm as a normal person.The Bridge: They had me at Diane Kruger. Thoroughly enjoy the show.
I've seen every episode and like it a lot, don't with Fausto Galvan.Anyone kept up with it this season? It has been a very good slowly unwrapping crime drama, worried that the ratings might deprive us of future seasons...
Bookkeeper & Mennonite Murderess is the best TV Villain since Gus Fring!
Yes, Fausto definitely needs to win this war not the blah corporate d'bag. A direct Fausto confrontation with Mennonite Bookkeeper would be great.I've seen every episode and like it a lot, don't with Fausto Galvan.
Yes a little bit though because its ongoing slight less aura of imminent random violence.Missed Season 1...loving Season 2. Has a No Country For Old Men vibe.
Yes, I've listened to Elwood Reid interviewed in a couple podcasts on Grantland. He mentioned last year that the female writer that returned to Homeland (did season 1, now back to right ship) was largely doing the David Tate plot whereas Reid was specializing in the 'weird' Bridge. Reid had some really interesting points about using non-TV trained writers to get better stories and using hyper specificity to tell more about his characters/make them real (i.e. awful coffee when cops visit the bank).
Not surprising about Linder. That's funny about Ray, I was ok without it as I cared about him only insomuch as he affected Charlotte. Her character definitely got a bum ride this season. I think that character was capable of a lot more given the actresses chops, but they kind of wrote her into a corner from the get-go.