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I think you might be missing some good music with that stance.
Perhaps, but I'm fine with it.
I discover new bands, I don't need to revisit old things consistently.
I think you might be missing some good music with that stance.
I think you might be missing some good music with that stance.
I'm a "never say 'never'" guy and @Deepster rightly called me out for my hot take on the Crowes tour. Even my resistance to the new incarnations of the Dead is not absolute; my middle daughter has become a Deadhead and I'd be hard pressed not to go to a show with her if she asked. But that's mostly about the experience. I'm still jaded about the music and the motivations and that's still the main reason for my resistance to the Crowes (i.e., I think it's pretty crappy what Chris did to the rest of the band). That said, under the right circumstances I could see myself having a good time there. Deepster has conjured some pretty nice circumstances and if they come to pass he may just convince me to join him there.Perhaps, but I'm fine with it.
I discover new bands, I don't need to revisit old things consistently.
Good for you.Perhaps, but I'm fine with it.
I discover new bands, I don't need to revisit old things consistently.
Late to this thread and I didn't see anyone mention it (apologies if I missed it) but if you like a good rock autobiography, check out Steve Gorman's book Hard to Handle (came out a few months ago). One of the best rock autobiogs I've read. Doesn't waste time talking about his upbringing and just gets into how he got started with the Crowes. He doesn't pull any punches and sheds some light on what a -show being in that band was. Highly recommended. After reading it, it's no surprise he isn't part of this tour and probably never will play with them again (but who knows)...
Jeff Tweedy's recent memoir provided some very good insight on band life, leaders, etc., too. Highly recommended for any Wilco fans. Also very funny.You can't really have Band Democracy.
Springsteen figured that out very early: promote the guys and give them plenty of room for their artistic burn. But one leader is the way to make music through several generations. It is crazy when you spit out the many many iterations of bands that really really had that one moment of greatness ... and then could not stay together for more than a tour or 2. When you read Gorman speak about Robinson, it is a multipronged crazy task to put up with - musically, financial and personal.
You can't really have Band Democracy.
Springsteen figured that out very early: promote the guys and give them plenty of room for their artistic burn. But one leader is the way to make music through several generations. It is crazy when you spit out the many many iterations of bands that really really had that one moment of greatness ... and then could not stay together for more than a tour or 2. When you read Gorman speak about Robinson, it is a multipronged crazy task to put up with - musically, financial and personal.
Americans have tended to create solo artists. Think of any list of greatest American performers- Elvis, MJ, Dylan, Aretha, Madonna, James Brown, etc, and you go through a bunch of solo acts (or acts with back up band names (Hendrix Experience, Bruce and E Street) before you get to a band whose brand was as big as the solo artists.
Brits have had more bands as brands- Beatles, Stones, Zeppelin, The Who, Pink Floyd, etc before you get to name brands. Bowie is probably the only solo artist who had as much name recognition as those bands.
Broad generalization, IMO. Without really trying to pick a fight, I can come up with a few examples that say the opposite.Americans have tended to create solo artists. Think of any list of greatest American performers- Elvis, MJ, Dylan, Aretha, Madonna, James Brown, etc, and you go through a bunch of solo acts (or acts with back up band names (Hendrix Experience, Bruce and E Street) before you get to a band whose brand was as big as the solo artists.
Brits have had more bands as brands- Beatles, Stones, Zeppelin, The Who, Pink Floyd, etc before you get to name brands. Bowie is probably the only solo artist who had as much name recognition as those bands.
And to throw back to thread topic. Chris Robinson way more mod rod influenced than anything on planet
While I get what you're trying to say, using Bowie as the only solo "brand" is a bit of an overstatement. Every Brit knew of Lonnie Donnegan in the 50s, Cliff Richard and Donovan in the 60s and Elton John and Kate Bush in the 70s, among others. Not to mention Tom Jones and Englebert, who were both major pop stars as legitimate as late period Elvis. And to a lesser extent Van Morrison, Jeff Beck, Rory Gallagher, Rod Stewart, Elvis Costello and many others, even Clapton, were considered brands both within and outside their respective bands.
Broad generalization, IMO. Without really trying to pick a fight, I can come up with a few examples that say the opposite.
Ozzy, to me, is a bigger brand than Black Sabbath. The Beatles are a tough example. They were pioneers. Their music was ground breaking, but in the end, they broke up and all four members were well known and quite successful in their own right. Eric Clapton was a bigger name than any band he was ever a part of. Sting as well.
Closer to home, Aerosmith is so much larger than the sum of Tyler, Perry, Hamilton, Whitford, and Kramer. Ditto any version of Van Halen. I'd also say the same about the Eagles, Lynyrd Skynyrd, The Doors, Metallica, and Pearl Jam.
I'd say Bob Dylan. He had those great albums around the turn of the century, decades after what most consider his prime.Springsteen is still making fresh music. Exciting new album music. Who else has that longevity over decades.
I’d say VanMorrison.
Springsteen is still making fresh music. Exciting new album music. Who else has that longevity over decades.
I’d say VanMorrison.
Gilmour, Knopfler and Frampton
slightly hot take... Aerosmith is insanely overrated and I will never understand how anyone can put them in the same breath as some of the bands previously mentioned. Discuss.
7/24 at XFinity. Tickets on sale now.
Already looking forward to this one. Saw them at the Bushnell in 1993. Maybe the best show I've ever seen.
I agree completely. With the exception of a few early songs, they are entirely mediocre. IMO.
Then again I can't stand the Black Crowes either. I find their music to be very annoying, yet lots of my jam band friends seem to love them. Same thing with Widespread Panic. That raspy voice just doesn't appeal to me.
Wilco:. One song hits me, Impossible Germany. Despite my efforts to like their other stuff, it just doesn't click.
What did it for me was a show at College Street a few winters ago. My buddy was the big Wilco fan, I was just going to see music. Day of the show I was sick and not that in to it, until they started. I thought they were great. I was especially surprised how much I enjoyed their all-acoustic encore. Didn't kill the momentum at all, it was a cool way to end the show.With Wilco, you've got to really dig deeper. They write some fantastic music but it is all over the place. The first few albums are good Americana rock vibes, then there are countri-fied outputs, and then noise, and then... They're one of the best things going in my opinion.