- Joined
- Aug 26, 2011
- Messages
- 606
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- 38
Joni had 8 gold and or platinum records in a row in the US. Sometimes I think pepple forget just how big she was.....
Heck, I thought you (Waquoit) were being facetious with your original post (".... That decision probably cost her superstardom....").Yup, but not arenas. I know just how big she was, not as big as she wanted .
I (also) really don't think Joni was hurt all that much by missing Woodstock... the reason (as made by RS9999X) is the fact she became about as big a music star as you can get. Superstar?... Yes.
How many female (or male) singers of that era & style (Folk-Rock-Jazz-world/crossover) were bigger... in either sales, name recognition, or in respect from other musicians ? Joni's career started really small (folksinger in small bars & clubs) & grew (slowly) to about as big as any musician can get. And she played in many big festivals in England too. Her success was more a slow word-of-mouth growth instead of the (explosion>>crash & burn) variety so many acts have. I'd compare her path to an Elton John, who was well-known & respected in his early years, but hardly a star... but then grew really big in later years.
As to Woodstock, it was a little outside my radar at the time so I missed it. I've never been a big live-concert fan anyway... I prefer the magic a studio reveals. Most concerts suffer from rotten audio... and that means a lot to me. I also don't think I would've gone(?) because I was working at the time... however, if the right friend or situation had occurred back then... who knows? I do remember being interested in the Powder Ridge Rock Festival after seeing a huge full page ad in the NYTimes. It was nearer (CT), but never materialized. Turns out, it was much more of a debacle than Woodstock was.
Finally... the most brilliant song (relating to Woodstock) is Mountain's "For Yasgur's Farm." I'm still editing some text for that song in another (music related) project... so I'll spare ya all that (my longer, more serious) exploration on the entire (60's) era & the song itself. In short, I see it as a (sad) reflection of the end of the 60's dream. I quote Hunter Thompson among others. But I credit Felix, his wife, & the band (Mountain)... who I all love, as writing one of the singularly best songs of that era. It's quite brilliant & moving... on many levels.