FINAL Gampel Court | Page 4 | The Boneyard

FINAL Gampel Court

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This is great. It was the logo as to why we are where we are. Lol anything to protect warde u guys are to much. The logo and brand is about how to capture and build a fanbase. I believe it's the wrong way. Others don't. But please, u and a lot of others continue to side step the actual issue and make things up and bs a lot to hide the fact that there is a issue you guys don't want to address.


My favorite part is where you talk about how I don't want to "address" the real issue?

See, your problem is that you can't accept the things about the world you don't like. So you cry. A lot. Which is fine.

I can't hire or fire coaches. I can't choose our logo. I can't hire an AD or choose our schedule or recruit for our programs.

I can show up and try to be supportive and root on the kids who represent my alma matter no matter who they hire. That's it. That's all I can do.

If you think writing letters to Warde and Herbst that they'd need a cryptographer to decipher and crying about this all over message boards and Twitter and constantly insulting people who don't agree with you is "doing something," then go right ahead. Whine away. It's America, after all.

But don't expect me to be super impressed by your "logic." Just cause you type a lot of stuff doesn't mean you're right or that you "get it." You're just a dude with a computer and a lot of opinions.

Welcome to the Internet.
 
I heard Enzo started out stuffing raviolis, mannicotti, giant shells, and cannolis in the south-end, and then he moved on to bigger things. Maybe Geno knows someone in the old country he can bring over to handle the job.

Stop stop stop. Patoni was always a mason. In fact, his gramma invented the mason jar. Awesome pepper pickler in her day. But Enzo never stuffed anything but his pockets.

I have heard that a Patoni kiln is in fact functional and back in the home town of Caltagirone, Sicily. I am sure, tho, in UConn's movement forward that the Patoni tile has had its day.
 
Patoni was always a mason.

Now we're getting somewhere. What do the Masons and the Sacreds have in common, oh 'Yard faithful?

No, the man didn't stuff pasta or pastries, but he did enjoy his Sfogliatella, both from Mozzicato's in his adopted home of Hartford, and especially the ones I would bring up from Lucibello's in New Haven. I started out bringing them up for Lew, but when Enzo arrived the order quickly doubled! I swear, in the right light, I could tell the difference between the tiles he fabricated on the days when he was fueled by the Lucibello's pastries and those he made on all the other days (not unlike the Beinecke Rare Book Library at Yale, the Patoni tiles are fabricated under strict conditions that allow the filtration of damaging light, leaving only a sort of luminescence that preserves the contents within).

I have heard that a Patoni kiln is in fact functional and back in the home town of Caltagirone, Sicily.

This is good news, in that there may be a possible solution to this dilemma if this is true. If a direct descendent of Enzo (eligible to be a Mason) is able to work with the original kiln, there is a *chance* that replacement tiles could be properly fabricated. As you know, although Enzo was a devoted husband, his wife was, sadly, barren. However, he was known to have a fondness for pasty, overweight co-eds, and to have spread the seed of his loin far and wide throughout the hills of Storrs, often cruising the Dairy Bar for prospects. Legend has it that their skin reminded him of the Alabaster with which he most loved to work. So...keep an eye out for men in the area around 23 to 25 years old, partly of Italian descent, with a single mother, or a mother who has married someone who doesn't appear to be his father. You may be looking at a Patoni, and perhaps our last, best hope to remedy this vexing situation.
 
The UConn Huskies twitter just released what the final court will look like:

2kfot.jpg
Does no one else see the obelisk?

Hmmm...Patoni strikes again!
 
Does no one else see the obelisk?

Hmmm...Patoni strikes again!

Is it right between the eyes of the wolf? I mean Husky?
 
Agreed. The general response of those of us who were in Storrs when it was being built was that (1) it was great that it was so much better than the Field House! Hell, it might not even leak! and (2) man it was kind of homely, and why did it have that weird dome? There were many U-condom[e] jokes at the time. Complete with illustrations. It is not art. The place holds magic solely do to the feats that have occured upon the court and for that reason alone. I was there for game 1 vs St. Johns, right behind the basket (and for every other game that season), so I appreciate the place as much as it can be. The roof is inconsequential. It tiles that cannot be replaced were used, that was a collossal blunder.


You're completely off the wall if you think UConn should have opted for something less.

The Patoni tile cannot be easily replaced and it surely cannot be duplicated, but there are only a bare handful of universities in the world that can claim that Il Papa designed and built tiles on their campus.

There are designers and historians that visit UConn for the sole purpose of seeing the tiles that you consider to be a "collassal(sic) blunder". But, hey, I'm sure we can slap some Chinese tiles up there because some nitwits on the Boneyard like things tidy.
 
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The general response of those of us who were in Storrs when it was being built was that (2) man it was kind of homely, and why did it have that weird dome? There were many U-condom[e] jokes at the time. Complete with illustrations. It is not art. The place holds magic solely do to the feats that have occured upon the court and for that reason alone

How dare you! Every night we walked home drunk from Teds to McMahon we would stop in front of Gampel, kneel down, and pay homage to the palace that was replacing the field house. My hand prints are forever cast in the concrete that they ridiculously decided to pour late one Saturday night just before we headed home. It is not homely, a condom or anything of the sort. ;)
 
Does no one else see the obelisk?

Hmmm...Patoni strikes again!
catintinfoil.jpg

Conspiracy Kitty says:
I suspected Herbst of being Iluminati. Really what more proof is needed?
 
Good grief...

I studied for four years at UConn. I've read my fair share of novels, biographies, and non-fictional accounts of history and science. I've been to 39 of 50 states and D.C., as well as 6 foreign countries. My wife would tell you that I have more than enough trivial knowledge floating in my head to make a decent run at Ken Jennings' Jeopardy record. I don't think she is being literal, but I still consider myself to be somewhat astute.

The lay person is not at Gampel for the beauty of the roof (though they, like I, surely noticed the triangles that make up the dome). They are their for the beauty of the full court press, the fast break, the alley-oop, and the game winning 3 pointer.

I'm not trying to disparage the man, or alter your opinion of him or the roof. I am saying that not everyone shares your view. I am also suggesting that the Administration exhaust all routes in developing that solution.


With all that studying and all that travel you would think that you would have a better world-view, and a better appreciation for the art and true genius of a pioneer like Enzo Patoni. The fact that he graced UConn with his masterpiece at Gampel Pavillion...that we are able to witness great basketball while in the presence of one of the best artworks of our time is NOT something you should take lightly.
 
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Unbelievable. And what's really weird is that they didn't even follow their own design standards on this thing. I don't love two tone courts but that's the current rage, so of course Warde wouldn't ever dare think of doing something that isn't generic. Rockstar as follower is going to use what everyone else uses. They make a big deal about certain design guidelines then ignore them on the basketball court. And of course Donald seems to have developed this silly smirk that looks worse the larger the image gets. But we're probably the only University in the country that has a clipart logo at mid-court. Warde will probably brag about that at the AAC meetings! Would have been better to just go with a circle at mid-court than this piece of crap.
 
You're completely off the wall if you think UConn should have opted for something less.

The Patoni tile cannot be easily replaced and it surely cannot be duplicated, but there are only a bare handful of universities in the world that can claim that Il Papa designed and built tiles on their campus.

There are designers and historians that visit UConn for the sole purpose of seeing the tiles that you consider to be a "collassal(sic) blunder". But, hey, I'm sure we can slap some Chinese tiles up there because some nitwits on the Boneyard like things tidy.

Yeah, yeah....whatever. When I Google Enzo Patoni I come up with nothing....except posts here. You can't even find any reference to his tiles in information from the University about Gampel.

So somebody please post a link about this guy so that I can feel elightened about the peeling tiles on the ceiling.
 
With all that studying and all that travel you would think that you would have a better world-view, and a better appreciation for the art and true genius of a pioneer like Enzo Patoni. The fact that he graced UConn with his masterpiece at Gampel Pavillion...that we are able to witness great basketball while in the presence of one of the best artworks of our time is NOT something you should take lightly.

It is obvious that some hold Mr. Patoni in high esteem and I have no issue with that. I came with no ill intent to anyones' sensibilities...Just keep two things in mind, should you reply: 1) genius and artistry are in the eye of the beholder; and 2) My reverse engineering comment yesterday has zero to do with art and everything to do with fixing the roof at Gampel. One thing is certain to me...If a satisfactory solution cannot be found, then all the tiles may very well come down in one manner or another, and be replaced with material more readily available and with craftsmanship that can be independently duplicated.
 
Always have a solution for everything, Danny.:rolleyes:
 
Yeah, yeah....whatever. When I Google Enzo Patoni I come up with nothing....except posts here. You can't even find any reference to his tiles in information from the University about Gampel.

So somebody please post a link about this guy so that I can feel elightened about the peeling tiles on the ceiling.
Instead of looking for Patoni in Google, you should be looking for Google in Patoni.
 
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