Apocalypse Now-Francis Ford Coppola-1979 + 2001
This is one of those films goes beyond criticism into legend. The legend has changed over the years. Multiple versions of this film have appeared in theaters and on DVD. Then his wife was filming a documentary on the making of the film. "Hearts of Darkness" was released in 1991. I watched the 2001 version or Redux which adds 53 minutes tothe original. There is also a 2019 version which cuts 21 minutes from the 2001 version. Since Coppola sent over 230+ hours out of the Philippines, the odds are that other versions will emerge in the future.
I saw the Redux version in a theater. I have watched various DVD versions several times. The shoot was supposed to be 26 days. It ended up taking over 230 days. There were some major problems including a heart attack for Martin Sheen (Cpt. Willard) and Brando (Col. Kurtz)
showing up 80 lbs overweight. Coppola lost100 lbs during filming. It took over 2 years to edit the film. It shared the Palme d'Or with The Tin Drum. The version released in Theaters was not the version shown in Cannes.
The script uses Joseph Conrad's novel "Heart Of Darkness" as inspiration. Col. Kurtz shares a last name with Mr. Kurtz the flawed protagonist of Conrad's novel. The last line of Mr. Kurtz: "The horror...the horror," is also the last line of Col. Kurtz. The story is a variation on the classic quest. Willard isn't pure of heart. He can't go home again, but he both needs and fears a mission. He is dragged from his room where he had become drunk and smashed his into a mirror. He is given a secret black ops mission. This mission will never be acknowledged. He is to kill an American commander who has gone rogue. He has set up his own mini-state far beyond US lines in Cambodia. Willard must travel hundreds of miles by boat to reach Kurtz's realm.
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"I love the smell of napalm in the morning." This classic line is Lt.Col. Kilgore's bid for screen immortality. Robert Duvall parlayed 12 minutes of screen time into an Oscar nomination. The whole helicopter attack with the Opera music blaring and the copters firing bullets and rockets is classic. Kilgore wants to take the village so he can surf. Unfortunately, his napalm ruins the waves. He does manage to lift the boat and deposit it on the river so Willard can continue his journey up river.
Willard is the narrator, but I don't see him as a protagonist. He is a necessary device to transport us to Kurtz. The struggles along the way make the journey seem significant. When the boat arrives; Willard is at the mercy of Kurtz. The scenes between Kurtz and Willard are at once brilliant and confusing. Kurtz maintains that Willard can't judge him, but can kill him. The time in Kurtz's mini kingdom is brilliantly done. Dennis Hopper appears as a crazed photojournalist supposedly based on Sean Flynn, the son of Errol Flynn. Flynn died in Viet Nam, but before that he made an important film in Sri Lanka. "We came 9000 kilometers to film in a garden." Zymurg was there you won't see his face because the only direction he received was to keep his face out of the camera
I'm not sure why the Hopper character was created. He does mangle T.S. Eliot: "This is the way the world ends; this is the way the world ends, not with a bang but with a whimper." Kurtz won't entrust his story to the photojournalist; the story must be told by Willard. To earn the right to tell the story; Willard must kill Kurtz. There are a series of scenes where Willard uses a machete on Kurtz inter cut with the butchering of a bull. Willard leaves with the only remaining crew member. He ignores the calls from on high.
Kurtz was a hero; then he lost his way. He removed himself from control/supervision of the army. He is treated like a demi-god by his Montinard followers, but that doesn't help. His only goal is to end his life, but to have the story told to his son. He is a tragic hero. We never see him in his heroic state. In Conrad's novel, Molloy who seeks and finds Kurtz, papers over much of Kurtz's career and changes his last words:"The horror...the horror." We don't know what story Willard will tell about his Kurtz. It probably won't be fit to print.
This is a great film, but it isn't an easy or an open film. Coppola shocks us. We can look back and acknowledge the technical mastery. The acting is excellent' however most of the characters are heightened, even Willard is an unreliable guide. There are no easy answers,
or for that matter easy questions.