Belfast 2021. Where to begin. Kenneth Branagh, ultimately, tells his own tale. His vision of what it was like as a boy in Belfast, a working class Protestant in a mostly Catholic neighborhood, when violence erupted in 1969. Branagh would be 9, like our lead, Buddy. The casting here is superb. Ciaran Hinds (himself a Belfast native born in 58) as the grandfather. You can sense how emotional this is for them. Catriona Balfe (from Outlander) is terrific as Buddy’s mom (and hot as usual). Jaime Dornan, another local, is very good as Buddy’s Pa. It opens with modern Belfast in color, clean, bright, safe, and reverts to black and white as we move to 1969. It’s wonderful filmmaking. Is it a bit nostalgic, clean, and safe despite the threats that appear? Yes, but we must suppose that’s how a 9 year old Kenneth Branagh remembered it. The best is recalled fondly and the worst is glossed over. And that feels right to me. It makes no judgments, no political point at all. Just a boy, showing you what he remembers of that time.
The music. Well
@8893 would appreciate that Van Morrison is responsible and his own songs are 90% of the soundtrack, with a few noteworthy exceptions. It’s marvelous. Each song fits the moment flawlessly. Many I did not know. Some, like Carrickfergus, lend their emotional weight to critical points. I came away thinking I really must explore Van’s B side non-hit catalog, because these were some terrific songs.
What a pair of bookends. As a young man he gave us Henry V, showing Shakespeare in an entirely new light. I was mesmerized. Saw it at Trinity. Now this. Its quite personal and is more beautiful for it.