I'm a little late to this thread, but I just got back from the final four in Columbus.
There are a bunch of well known musicals that I never got into, but there are also a bunch that I totally enjoy. Here we go on the musicals I can watch over and over.
I am a big sucker for virtually all of the Fred Astaire-Ginger Rogers RKO musicals done in the 1930's. They may have virtually all the same plot, but between the music, the set piece dances, and with some of the supporting players such as Edward Everett Horton and Eric Blore, it doesn't matter to me. These are all top of the line for me:
The Gay Divorcee
Roberta
Top Hat
Follow the Fleet
Swing Time
Shall We Dance
Carefree
A few of the Busby Berkeley Warner Brothers films from the early 1930's, the one's that featured kaleidoscope views of dancing girls:
42nd Street
Golddiggers of 1933 - Unforgettable closing number featuring Joan Blondell with "Remember My Forgotten Man".
Footlight Parade - starring James Cagney, who was quite the song and dance man when given the chance.
Yankee Doodle Dandy - Cagney as George M. Cohan. Great propaganda piece for World War II, and a great movie as well.
Hallelujah, I'm a Bum - I never thought that I would ever care about any film with Al Jolson in it until I saw this one. This film from the early 1930's is completely off the wall, and is well worth seeing for its musical weirdness. Great rhyming dialogue to boot.
The Wizard of Oz
"Cabin in the Sky" and "Stormy Weather" are two great musicals from the 1940's that feature all black casts, a rarity of those times. You have to get by some of the racist elements in these films, but the music and dance set pieces are outstanding.
Singin' in the Rain - I'm not generally a fan of the old MGM musicals, but this one is probably my favorite musical of all.
The Court Jester - I'm not a big fan of Danny Kaye, but he delivered the goods on this one. The best musical comedy that I have seen.
, Superstar - This one has really grown on me in recent years, it's one that my wife got me into, As mentioned before, Carl Anderson as Judas steals the show, but there are a number of other quite good supporting roles including Yvonne Elliman.
Mary Poppins
Fiddler on the Roof - Topal is certainly good, but I would have loved to have seen Zero Mostel doing this.
Blues Brothers