Me thinks the refs played as a 6th man with many odd calls not seen in some time.Jana's absence may have led to Serah & Sarah getting 4 fouls each.
Reminds me of when they let pros in the Olympics and the U.S. fielded the "Dream Team". Teams from other countries were coming up to them to get their autographs. So yes, it's not always about winning and losing, sometimes it's about the experience.Can I recommend something? Try to convince her that not everything is about winning and losing if you aren't really projected to be the among the best any way. Can you imagine if you had a daughter who was a good but not a great player or a best friend's daughter or even a close friend work colleague that had played against an all-time great; would the conversation be all about whether that person won or how many they lost by?
I had an opportunity to go against a college all-American, Olympic gold medal Winer, and played in the NBA for many years. He destroyed me and it was one of my highlights just as a high school player. It was an honor. I'd be very surprised if Creighton felt any other way. They said it was a rebuilding season for them. Now if this was Texas, that would be different because it would mean more likely they quit.
And for any senior as an example - they may have a child that's watching Sarah Strong and Blanca Quinonez in the WNBA and could tell their kid they played against them in college. And maybe they'd have a story that they blocked a shot of Sarahs or stiole some passes or hit some jumpers over them etc.
It's not all about wins and losses for some teams and some players. school is more important for many. Anything else it's an honor.
The 3 second count pauses once you get the ball while you are making a move to shoot. If you don't shoot after making the move, then the count resumes. It only starts over if you leave the lane and reenter.I thought I heard someone say a game or so ago, that Serah "thought" that the count starts over if she is passed the ball. What is the rule there?
Thanks, I was wondering that myself.Yes. According to the box score they took one away from Zediker. When the game ended she was credited with 4, now it's 3.
Thanks for this! I guess I didn't 'get it' the first time around.Renee came up with a new moniker which was apparently suggested by her social media followers. When Sarah Strong made a great play (an and-1), Renee called it a "Sarah-mony".
Beware, we may have to get dressed up for future Sarah-monies at Gampel or People's Bank.
Before long, we may even see some Serah-monies. I wonder if those will require an invitation?
Not sure that resuming after the move is accurate. If that was the case, there would be violations after almost all aborted moves/scoring attempts. Not sure the rule states this explicitly. I believe the player is given a reasonable opportunity to get out of the lane in this case.The 3 second count pauses once you get the ball while you are making a move to shoot. If you don't shoot after making the move, then the count resumes. It only starts over if you leave the lane and reenter.
To your point, we lost the best symphony conductor in history to the W.Let me preface my comment with, my computer password is “Guru of Go”, after the 30 for 30 on Loyola Marymount with Paul Westhead. I love uptempo!!
I think our tempo on offense is too fast. (Not talking about transition O)
Like a band or orchestra that’s a little off. Is tempo the reason orchestras have conductors? Symptom- errors and missed easy shots. My little bit of coaching: tell players to “make all the looks”. Sometimes it takes a count or two for a play to develop.
Ash- missing 4 footers. Shot is too flat. Gotta fix it.
Serah- out of whack
Azzi- I’ve written before with no response, Azzi has to get her looks. Period. 15-18 shots a game. People are saying the Vandy guard will get AA over Azzi. What? Sarah can get hers, Azzi needs to be set up.
I just want to see the best we can be!
I really agree with this. I think UConn is a bad version of UConn when KK or K9 is not on the floor.This was not the first game to show that, unless the game is completely out of hand, either KK or K9, or both, need to be on the floor. The only real point guards and so quick and tenacious on D.
Not sure that resuming after the move is accurate. If that was the case, there would be violations after almost all aborted moves/scoring attempts. Not sure the rule states this explicitly. I believe the player is given a reasonable opportunity to get out of the lane in this case.
Serah should pup a tent in there. Maybe roast some marshmallows.
Did anything change? Seems to be the same rule as always.How the Rule Works
Timing of the Count
- Starts: The count begins when one foot enters the key.
- Resets: The count resets when:
- The player leaves the key.
- A shot is attempted.
- The player receives the ball and makes an active move to score.
Got it. So, player enters the lane, thousand 1 thousand 2. , drives to the basket, count resets. Question I'm tussling with, is the count at zero for entire drive or is it just a fresh count when offensive move begins?How the Rule Works
Timing of the Count
- Starts: The count begins when one foot enters the key.
- Resets: The count resets when:
- The player leaves the key.
- A shot is attempted.
- The player receives the ball and makes an active move to score.
No changes, I was replying to a previous postDid anything change? Seems to be the same rule as always.
Agree with your post, except clarifying the bolded and expounding on the underlined:Let me preface my comment with, my computer password is “Guru of Go”, after the 30 for 30 on Loyola Marymount with Paul Westhead. I love uptempo!!
I think our tempo on offense is too fast. (Not talking about transition O)
Like a band or orchestra that’s a little off. Is tempo the reason orchestras have conductors? Symptom- errors and missed easy shots. My little bit of coaching: tell players to “make all the looks”. Sometimes it takes a count or two for a play to develop.
Ash- missing 4 footers. Shot is too flat. Gotta fix it.
Serah- out of whack
Azzi- I’ve written before with no response, Azzi has to get her looks. Period. 15-18 shots a game. People are saying the Vandy guard will get AA over Azzi. What? Sarah can get hers, Azzi needs to be set up.
I just want to see the best we can be!
Thanks for that!Agree with your post, except clarifying the bolded and expounding on the underlined:
As for the bolded. Agree that the team can have better composure. But, I do not think increased PACE necessarily leads to a breakdown in composure.
- The underlined is a problem of the read and react when several successive possessions tend to find players other than Azzi and Sarah taking a shot; this was part of the problem in the MI game when MI raced to their end after many consecutive ineffective UConn half-court offense that didn’t involve Azzi and Sarah;
- Paige last year did not allow this to happen as she assumed PG duty during certain times; and Geno called time-outs to draw certain plays (e.g. Azzi’s elevator play).
Increased PACE (PACE = 74.1) along with more and better quality mix-match, is part of Geno and CD’s way to manage and exploit its deep quality roster;
Are turnovers a necessary cost of playing this PACE? In the Creighton game, Serah (6) and Blanca (4) — two new Top Rotation players committed half of them; Azzi (3) and Sarah (2) had uncharacteristic TOs; it’s the 17th game (of 31 regular season games), a game within the “metamorphosis” period;
- having several BBIQ ball handlers (a BY topic this past summer) is a prerequisite and this team has them in spades;
- Contender teams with deep quality rosters have similar PACE: South Carolina (74.5), UCLA (70.5), TX (74.1).
The fast PACE has enabled &1 quality bench development time in addition to a faster ramp for the key rotation players:
- it will be corrected, as Huskee11 noted.
And this year’s team, in mid-season, is increasingly becoming comparable to the better UConn teams.
- Preparation for March/ April (“Winning Time Rotations” + “Pocket Bridge Rotations”): 7:52 hours (69.46%);
- Bench Development (“Top Bridge Rotations” + “Bottom Bridge Rotations”): 3:27 hours (30.54%).
I think Serah runs afoul of this rule in some refs' eyes because her "move" is often a dipsy-doodle or over-under move that takes a bit of time to unfold. She wants to fake right, pivot back left and then slip back to the right under the opponent's block. If she doesn't release a shot until the end of this little dance, a ref may well have decided it wasn't a shot and already blown the whistle halfway through.How the Rule Works
Timing of the Count
- Starts: The count begins when one foot enters the key.
- Resets: The count resets when:
- The player leaves the key.
- A shot is attempted.
- The player receives the ball and makes an active move to score.
One of the worst was the call against Sarah around midcourt when she did her classic Sarah move reaching behind the player to strip of the ball while on the dribble. The ref was so far out of position to make that call, both distance and angle wise, that it would have been impossible to actually see, to make the call.Me thinks the refs played as a 6th man with many odd calls not seen in some time.
I may have to watch the games again but I think that most of the calls happened when she had at least two defenders around her.I think Serah runs afoul of this rule in some refs' eyes because her "move" is often a dipsy-doodle or over-under move that takes a bit of time to unfold. She wants to fake right, pivot back left and then slip back to the right under the opponent's block. If she doesn't release a shot until the end of this little dance, a ref may well have decided it wasn't a shot and already blown the whistle halfway through.
I think Serah is still thinking in UW terms, where she was often the only or at least the primary scoring threat on the floor. Under those conditions, a more complex move might have been necessary most of the time. But when Sarah or Azzi get her the ball in the low post, it's usually because she's got single coverage and can simply go straight up without any fancy footwork. or at least without so much of it. As the season has progressed, she seems to have recognized this, but old habits die hard.
It must be a revelation for Serah to find herself on a team with the most advanced guard play in D1. She carried UW as far as they could go in her flat two seasons, and it was a heavy burden. In Storrs, there are other shoulders to share the load with her.
Hence the bolded composure. You used the word tempo which, in basketball, is PACE.Thanks for that!
I'm emphasizing a subtle slowing down of tempo in the half-court. Like the metronome on the top of your piano. Can't you adjust that to the tempo you want. Isn't that a big factor in a piece of music. I love those Sarah touch passes, no look but you add like a count before a decision is made. Too rushed and you miss a cutter. You don't give a cutter a chance to get there. You don't see an opening. You rush. You force something in order to play to the pace. What did Wooden say, "go fast but don't hurry".
You may be right. I didn’t do a film study of this, merely generalized from what I’ve noticed here and there. In any event, several times she was initially open and then she’s not. Serah has to expect to be double teamed shortly after she gets the ball in the low post even if it’s initially single coverage. I have to think Geno wants her to recognize where the help defender comes from in each case and then pass accordingly if she can’t make a quick move.I may have to watch the games again but I think that most of the calls happened when she had at least two defenders around her.
I think by the time Serah sets her first foot into the lane, the ball should be incoming. No need to go into the lane unless the person with the ball sees you.