Adesmar123
Can you say UConn? I knew you could!
- Joined
- Aug 26, 2011
- Messages
- 1,756
- Reaction Score
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RIP Abe Vigoda
I am not .. well, an overly-sensitive guy, when it comes to the arts, cultural things, and so forth. But, when I watch "The Godfather", I am still struck by the incredible use of lighting, shadow, and sound. Particularly in this day n' age of massive CGI epics, full of noise, light, explosions, and such, "The Godfather" is a perfectly-performed piece of violin & flute, candle-lit and quiet. In addition to the story, the performances, and everything else, it is an astonishingly beautiful movie.
"Whoever comes to you with this Barzini meeting, that's the traitor. Don't forget that."
Like Jim G. I recently found myself watching the "epic" on HBO and I was struck by two things. They included many of the deleted scenes that hadn't made it to the big screen. I often find myself wishing that those "cutting room floor" scenes had been included in movies I like, but the "epic" version of The Godfather showed (to me anyway) that most of them slowed the action and in some cases diluted the moment.
What Coppola did with the final cut was to refine the story and to sharpen its focus. The end product is a piece of stunning filmaking and a great example of a director commanding his craft.
RIP Abe, you outlived Tessio by more than 43 years. (Or 69 years. Didn't Tessio die in the summer of '46?)
I remember him best as "Fish" on "Barney Miller."
Fish was always looking for a way to make a better buck than his cop's pay. One day, Fish takes a complaint from a hansom cab driver.
Fish: Say, how much can you make driving one of those things anyway.
Driver: You mean declared income?
Fish: That much, huh.
I remember him best as "Fish" on "Barney Miller."
Fish was always looking for a way to make a better buck than his cop's pay. One day, Fish takes a complaint from a hansom cab driver.
Fish: Say, how much can you make driving one of those things anyway.
Driver: You mean declared income?
Fish: That much, huh.
Tessio's betrayal surprised Tom Hagen, but it didn't surprise Michael, who knew it wouldn't be Clemenza. Michael tells Tom, "It's the smart move; Tessio was always smarter." With all due respect to Tessio, I always preferred "Leave the gun, take the canolies" Clemenza.
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BTW, the film's cinematographer Gordon Willis was a pioneer with his novel use of darkness and light. For me, the best film ever.
RIP Abe, you outlived Tessio by more than 43 years. (Or 69 years. Didn't Tessio die in the summer of '46?)